Showing posts with label progressive Christianity. Show all posts
Showing posts with label progressive Christianity. Show all posts

Wednesday, October 02, 2013

Martha, Mary and Michaelmas (And Cheryl Wheeler and Louis C.K.)

Sept. 29, 2013

Scripture: Luke 10:38-423
8 As Jesus and his disciples were on their way, he came to a village where a woman named Martha opened her home to him. 39 She had a sister called Mary, who sat at the Lord’s feet listening to what he said. 40 But Martha was distracted by all the preparations that had to be made. She came to him and asked, “Lord, don’t you care that my sister has left me to do the work by myself? Tell her to help me!”
41 “Martha, Martha,” the Lord answered, “you are worried and upset about many things,42 but few things are needed—or indeed only one.[a] Mary has chosen what is better, and it will not be taken away from her.”

…and second scripture:

In every instant, two gates.
One opens to fragrant paradise, one to hell.
Mostly we go through neither.

Mostly we nod to our neighbor,
lean down to pick up the paper,
go back into the house.

But the faint cries—ecstasy? horror?
Or did you think it the sound
of distant bees,
making only the thick honey of this good life?
-Jane Hirshfield


Today is Michaelmas, a lesser Catholic feast that somehow always gets my attention. It makes me think of midlife. Maybe it makes everyone think of midlife. It comes, after all, just a few days after the autumn equinox, and autumn is certainly the season of midlife, what with the balding maples, the falling leaves, the drama before the long quiet.

This year Michaelmas falls also on a waning moon. It seems all of nature is conspiring to force us to think about the brevity of life. The two readings—the Martha/Mary story which Steve has preached about often, and the Jane Hirshfield poem—both touch on this idea of the choices we make, and it seems to me that midlife can be an especially painful time to sit with our choices. (Though I suspect every phase of life has this potential pain…)

When we were kids, we were Marys. My kids are Mary-like. They pay attention to the important stuff. They know that it’s good for them to play, to move their bodies, to climb on things. They know a good story when they hear one, and they also know justice. They have an acute sense of what is fair.

As we age, we become more Martha-like. We don’t pause from our dinner preparations to run outside during one of those summertime micro rain storms, to dance in the rain after a long dry dusty hot spell. We do the never ending laundry—Mount Washmore, my friend calls it. We go to the grocery store. We pick up the kids. We exercise—but on a schedule. And we justify our good, hard disciplined work: in any revolution there is work to be done, and Jesus surely was a revolutionary.

And don’t the ones who do the work get the praise? So why is Jesus saying that Mary’s the one who gets it?

Part of the gift of midlife is that we do get it. We see how painfully brief it all is. Now I know Mary’s got the right idea. And I still can’t stop doing doing doing. Still can’t stop frantically doing the dishes, doing the laundry, telling my kids to hurry up so we won’t be late to school. I do my meditation and my yoga—but I time myself with my iPhone and don’t let myself linger. I tell myself I will go on a meditation retreat when the kids are older.

But I have the usual questions. Is Jesus saying we should always listen to God? Or just when he comes over for dinner? Does Jesus really want us to forgo making the beds in the morning and instead practice piano? Wasn’t Jesus glad that Martha was making preparations? I know I’m not alone in having some feminist annoyance with this passage. Would it have been better if Martha had sat down too? But then there’d be no food for anyone. Maybe they would have just eaten locusts, then. Is Jesus saying “Sorry, babe. You’re just a Martha. Marthas cook and clean. Marys sit and listen. Try again next life, and you might luck out.”

Well, of course not. Jesus’s whole point was to free us from the binary thinking of the old world, teach us non-dualism. No I, no Thou. Jesus said, “I and the Father are one. And so it is with you.” Jesus said, “I am the vine, you are the branches.” Last time I looked, it was hard to tell the difference between vine and branches. We’re always Martha and Mary, just as God is in each of us, beyond all of us, and in the interactions between everything.

Moreover, when I grumbled a version of this to my friend Peter Ives, he pointed out that at the time of Jesus, women were barely considered human. For Jesus to say that Mary should sit and listen to him, and in fact Martha should put down her dishrag and join in too, was completely revolutionary. He was calling them, these two sisters, to be disciples, equals to his male followers. It’s not really news in Bible scholarship that Jesus elevated the role of women to that of equal, though the Nicene Creed and fifteen hundred years of organized religion put the kibosh on much of that. But when I heard this, I had to look at my own internalized sexism. It hadn’t occurred to me on first read-through that in fact Jesus might indeed have been saying, “Dudes, your turn. Go make the dinner while Martha and Mary get their time with me. And if you don’t know how to make the dinner, go find some locusts.” For all we know, that was in the original text, only to be nixed three hundred years later during the Council of Nicea. Three hundred years later, women were back in their historical place.

This came through my email-box this morning from Richard Rohr, a Franciscan friar:

Did you know the first half of life has to fail you? In fact, if you do not recognize an eventual and necessary dissatisfaction (in the form of sadness, restlessness, or even loss of faith), you will not move on to maturity. You see, faith really is about moving outside your comfort zone, trusting God’s lead, instead of just forever shoring up home base. Too often, early religious conditioning largely substitutes for any real faith.

Usually, without growth being forced on us, few of us go willingly on the spiritual journey. Why would we? The rug has to be pulled out from beneath our game, so we redefine what balance really is. More than anything else, this falling/rising cycle is what moves us into the second half of our own lives. There is a necessary suffering to human life, and if we avoid its cycles we remain immature forever. It can take the form of failed relationships, facing our own shadow self, conflicts and contradictions, disappointments, moral lapses, or depression in any number of forms.

All of these have the potential to either edge us forward in life or to dig in our heels even deeper, producing narcissistic and adolescent responses that everybody can see except ourselves.

And the other wise sage I came across was the comedian Louis CK who went on a rant about iPhones on the Conan O’Brien show. He basically says the same thing as Father Richard:


…you need to build an ability to just be yourself and not be doing something. That's what the phones are taking away, is the ability to just sit there. That's being a person. Because underneath everything in your life there is that thing, that empty—forever empty. That knowledge that it's all for nothing and that you're alone. It's down there.

And sometimes when things clear away, you're not watching anything, you're in your car, and you start going, 'oh no, here it comes. That I'm alone.' It's starts to visit on you. Just this sadness. Life is tremendously sad, just by being in it...



To be an artist, or a revolutionary, or just a good person trying to feel our way through life with a modicum of consciousness, we need to rest, Mary-style, fill the well. We need to do nothing. We need to look up at the sky, notice what kind of moon it is, breath in the smell of falling leaves and pond scum and compost and fall-bearing raspberries. To love someone, to really love someone, we need to give them years of our attention. Years. Focus and appreciation every single day. That’s the sunlight they need to grow.

Last week, I happened to notice, as I occasionally do, all the people around me who were doing it better than me. By “it” I mean everything from having a music career to gaining spiritual insights. I couldn’t help but notice all my spiritual friends who all seem to be gaining enlightenment at a frightening clip. My friend Julie went on a 10 day silent retreat, and now she has no more anger. My friend Charlotte did this three year long inventory of her greater defects and now she hears God’ voice loud and clear and never has any questions about what she should do. All this makes me want to give up, give in, throw in the towel, text and drive, abandon my highly scheduled meditation practice. Instead I called my mom and asked her what she thought of Sheryl Sandberg, the latest voice in the Mommy wars. Sandberg wrote a book called Lean In, which points out the sexism still rampant in our culture, and how hard it is for career women to be mothers and gives excellent advice to women who want to fight to keep their careers thriving. Sandberg exhorts women to lean in rather than lean back when they even begin to think about having a child. Recently, I’ve heard my peers rumbling with discontent about this message. “The problem is,” said one of my closest friends, a highly successful author, “I really do want to lean back right now. I want to volunteer at my daughter’s school. I want to make her Halloween costume. Is that so wrong?”

“Well there’s just so much to hate about Sheryl Sandberg,” my mother began. “She has nannies raising her children! What are all these people thinking, making $300,000 a year! I am so glad I invested my time in you girls.”

I’m pretty sure my mother hasn’t read the book. She, like me, had a career and also had kids, and tried to balance them as well as she could, which seemed to involve a lot of yelling and tossing of backpacks into the car with a hot cup of coffee sloshing about. It’s true that when push came to shove, she would choose her children every time. But still, my mother worked hard. She sure as hell leaned in. She was always grading papers at the kitchen table, cooking our dinner, making our lunches, or playing extremely competitive tennis during those hours after school and before dinner. She did not get on the floor and play games with us, or engage in imaginative play. But she did sit on my bed at the day’s end and ask me to talk about things. She knew what the better part was. Mostly. Like all of us, she was sometimes Martha, sometimes Mary.

So if Jesus is calling us to be disciples, if Jesus is calling women to be disciples with the same urgency that he calls men, this brings us right back to the question women have been wrestling with since the dawn of the women’s movement. I, for one, certainly can make the dualism about choosing family over career, for instance. Last week, Katryna and I opened for a great singer songwriter Cheryl Wheeler. Cheryl is one of a kind. She looks like what she is: a 62 year old who dresses in LL Bean (onstage and off), loves her dogs and Cathleen, her wife of 10 years, and doesn’t give a whit about what the music business—or anyone else for that matter—thinks of her. She is hilarious, occasionally raunchy, onstage, so funny that my sides often hurt from laughing so hard when I am at one of her shows. She has a song on her latest CD called “Shutchier Piehole”, making the point that it would be really hard if your last name were “Piehole” and your parents named you “Shutchier.” Hard, yes, but funny. A few songs later, she delivered her 1980’s love ballad “Arrow,” a song so achingly beautiful we were all in tears by the end. Her following is as strong today as it ever was. Her fans are loyal; we opened for her in 1992 at the Iron Horse, and a couple from last Friday’s concert came up to us and said, “I remember seeing you at that show, 21 years ago…”

Cheryl has what I always wanted. A career that keeps growing. She sang songs she’d just written, along side songs that were over thirty years old. But what’s most enviable about her show is that she is just…Cheryl. She is totally herself. There is no artifice. She is completely unconcerned about whether or not we like her. She performs sitting down and refuses to leave the stage for the encore. She asked the lighting engineer to turn down the lights because “No one paid to see the visuals. If they did they would be sorely disappointed. They came to listen.”

Though I can try to make this about right and wrong, Martha and Mary, kids versus career, what I really want is that comfort with myself. I want to not care whether or not you notice that my face isn’t airbrushed. I want not to care if you notice that I’ve gained or lost a few pounds. But more than that, I want to not care what you think about how hard I’m working, how much I’m doing, how the fact that I spent the last seven years trying to raise human beings has resulted in flaws, in big gaping holes in my artistic work, not to mention the more painful flaws in my parenting. I want to stop trying to prove my worth by scrubbing the dishes for the revolutionaries. I want instead to sit around, the way Cheryl did, and chew the fat with her old buddies who’d paid $25 a head just to see her. And I want the humility to keep learning, keep growing. I want to laugh. And this is both the gift of an awake, aware midlife passage, and the gift of discipleship.

As Hirshfield seems to be saying, every instant has two gates, but it’s true that we mostly go through neither. We’re just not that awake most of the time. Martha didn’t choose incorrectly just because Mary happened to see the instant and go through the gate of paradise. Martha just missed seeing the gate. We all do, all the time. We get worried and upset—that’s a guarantee if we are human. It’s more than guaranteed if we’re parents. In fact, every single day I vow, on my knees, that I will do better, that I will be patient with my kids, that I will not be short with them, that I will react to frustration with humor (in fact I have “react to frustration with humor” as a reminder on my iPhone, and it pops up regularly, along with “don’t read your iPhone right now—pay attention to the kids instead.” And still, every day, I lose it. I lose it even as I am praying not to. Even as I am thinking, “don’t shame her, let her be herself,” I say, “You’re wearing THAT to school?”

But then, there is grace, too. Somehow, I can sometimes see the gates and choose the better one. Yesterday, a perfect September afternoon with a cloudless sky, I abandoned my agenda and let the kids stay late at school to play on the playground. Johnny found a pick up game of soccer. I stood and watched him race across the field, galloping after the ball, kicking, falling, getting up again, chasing the bigger kids, leaping from one foot to the other. I breathed in the sweet smell of cut grass, the late blooming sedum, and said Yes. This is the better part. Or maybe it’s just the thick honey of this good life.

Tuesday, June 19, 2012

Mustard Seeds and the Newport Folk Festival


Nerissa & Katryna and the Falling Down Barn in 2007



I have sudden and severe laryngitis. I can no longer yell at my kids. In fact, I feel myself to be so at their mercy that I am being extra nice to them, smiling a lot, giving them heretofore forbidden juice boxes, letting Elle play "Two Grenadiers" over and over during her violin practice and not making her play her review pieces at all. Things are going so well with me not talking that I am contemplating feigning voicelessness indefinitely. Who, really, would miss my pontificating? (Don't answer that.) To top it off, I made Elle read to me last night. She can sort of read, but she'd much prefer someone read to her, especially since we're halfway through Harry Potter. But she gamely attempted Owl At Home last night, and because she had no choice, she made it through an entire chapter. I was reduced to clapping and vigorously nodding my head, poking at the page with one finger when she didn't get the word right. It made me wonder if I would write more if I spoke less.

In my Underground Seminary, I have been instructed to ponder Mark 4:26-35, otherwise known as the Parable of the Mustard Seed. More on the Underground Seminary in a future post. The piece of this passage I particularly love is the brilliant observation that God's Kingdom can come to us from the most minute of "seeds"; a stranger's look of kindness. A song on the radio in the grocery store. Someone's Facebook post. And the sower is oblivious to the "fruits" of her labor. Once she's sown her seeds, she leaves the rest to the soil, the sun, the rain.

26 He also said, “This is what the kingdom of God is like. A man scatters seed on the ground. 27 Night and day, whether he sleeps or gets up, the seed sprouts and grows, though he does not know how. 28 All by itself the soil produces grain—first the stalk, then the head, then the full kernel in the head. 29 As soon as the grain is ripe, he puts the sickle to it, because the harvest has come.”

The other big event in our lives is that we are finally attempting to fix our falling-down barn. I had huge fantasies of renovating it and turning it into a writer's den/underground church/Tom's office/yoga studio/guest house. That will have to wait until the sales of The Full Catastrophe exceed $5 million/our kids get through college/Universal Health Care passes. In the meantime, if we don't salvage what is there, we will have to tear it down (which would not be free--it would cost us $10,000 and then we'd have no place to dump our stuff, I mean keep our bikes and kayak and canoe.)

It's not the money I mind. It's that we are spending our early mornings cleaning the thing out. We discovered a squirrel's nest the length of almost 4-year-old Jay, way in the back. And among the squirrel's treasures was a box that contained all my old arrangements for Tangled Up in Blue and subsequent singing groups I ran pre-Nields (Tintinnabulations, A Capelicans, the Jimmies; groups we ran while teaching high school). GOLD! Hooray! Plus a bunch of press shots of the trio Nields that freaked us all out. And, the coup de grace, the program from the Newport Folk Festival 1994, the year we got to play it.

That was almost twenty years ago, and it was surely the turning point in our career. We got the gig because we had become friends with the associate producer's daughter (Nalini Jones, now a writer and mom) at the Loomis Chaffee School where we were teachers and dorm adults at the time. When I close my eyes, I can feel myself back up on that stage, the sea air over Fort Adams blowing my hair into my eyes, my mouth aching from grinning so much. We played first in the line up, and people were still streaming into the park at the beginning of our set. We sold over 200 copies of our then-new CD Bob On the Ceiling, and from that moment, everything about our career sped up dramatically, shaking the tree we lived in until we all came tumbling down, but not without a lot of shouting for joy into the wind.


The Nields at Newport 1994



Nalini had asked me to write for the program, an essay called "Know Your Song Well," about being a folk musician in the early 90s when folk was making a comeback. I will post this essay separately, but for now I will say that reading it made me realize that my band came along at the most fortuitous time, and that if we were in our mid 20s now instead of then we probably wouldn't have had a shot. I don't write this to take away an iota of our hard work and possible talent; but I do say it to make the case for fate, for history, for the Perfect Storm of events in any person's life or career. Or for the winds that blow that little mustard seed here and yon. Who knew what we sowed then? Who knew where those 200 copies of Bob on the Ceiling went?

Katryna and I have been talking a lot lately about fame. I have written this before on this blog, but when we were in the van driving around and around, Patty used to ask, "Would you rather be rich or famous?" "Rich," said a couple of members. "Famous," said a few others. And I said, "Neither. I want to be influential."

Of course, if you believe the Law of Attraction, this was a big mistake on my part. Everyone is influential. I should have manifested money and acclaim instead. Then I'd have my barn cum church/writing den/office/guest house. But on the other hand, it is really lovely to have exactly the amount of fame and money that I do have. It's perfect. If I had any more money, I might not teach as much as I do, and teaching is so good for me, so pleasurable, so connecting. And if I had any more fame, I would feel scared. As it is, I have the kind of fame where people I don't know are nice to me for no reason at all. Occasionally friendly people come up to me at the airport and tell me they saw my band fifteen years ago in Ann Arbor, or Austin TX, or Portland OR, or South Carolina (we were always playing in South Carolina.)

Last Thursday we had the great privilege to play a house concert in Rhode Island, in a house overlooking Narragansett Bay. The folks who opened their home to us had first seen us in 1994 at Newport and had bought a copy of Bob that day. 18 years later, their home was filled with friends who listened as attentively and laughed as hard as any audience we've ever had. There were 40 people there that night. That might seem small compared to the 2000 we played for at Newport in 1994, but to me, that night felt just as magical. What is the Kingdom of God? In a word, Unity. That feeling that you are a part of something so much bigger than yourself, so much more than you can ever hope to understand. As a performer, nothing makes me feel as whole, as unified, as part of some bigger mystery than singing my songs with my sister to an audience who gets it. What is the Kingdom of God to you?

Nerissa & Katryna overlooking Narragansett Bay last Thursday


30 Again he said, “What shall we say the kingdom of God is like, or what parable shall we use to describe it? 31 It is like a mustard seed, which is the smallest of all seeds on earth. 32 Yet when planted, it grows and becomes the largest of all garden plants, with such big branches that the birds can perch in its shade.”