Tuesday, March 23, 2010

March 2010


I'm trying something new. I'm speaking rather than typing. Can one even call this writing? We'll see. As many of you know, I have carpal tunnel syndrome and an additional annoyance known as DeQuervian’s Tinosynovitis, a condition caused primarily by breastfeeding a large child while simultaneously “mousing” on a powerbook. In short, it hurts to type; the kind of hurt that is as much about the fear of making the injury worse as it is about the pain in itself.

I haven't written, really, since February. And even then, all I did was videotape my new songs and post them. I haven't really written anything since the church burned down.

The church burning down -- that seems like a different age. Since then, the seasons changed dramatically in more ways than one. On February 9, my mother-in-law Mary Duffy got a flat tire and ended up having to walk a mile into town to get help. She was hale and hardy, three weeks away from her birthday--I am sworn to secrecy about her age, but I will say it was a good round number. The next day, complaining of stomach pains, she was taken to the hospital. On the way she fielded a call on her beloved Bluetooth, which never left her ear. She was a realtor, and in the middle of an important sale. At one point during the conversation, her client said, "Mary, I'll have to call you back; I can’t hear you over that ambulance in the background. I'll wait until it dies down."

Mary, without missing a beat, said, "Oh no, honey. I’m in that ambulance."

Three days later, the doctors gave her the bad news: pancreatic cancer. One month to the day after that, on March 13, she died in a hospice in Natick Massachusetts. Oddly, I have had the word Natick on my calendar on March 13 for the past eight months. We were scheduled to perform at the Homegrown Coffeehouse in the Unitarian Universalist Church on Highland Avenue that night. Driving my husband in the pouring rain to his mother’s deathbed, I was on the verge of canceling the gig, but Tom said he needed to hear us sing. And knowing somewhere in my consciousness that music heals, I agreed.

At the concert, as per her daughter’s strict instructions (“Mimi wouldn’t have wanted you to cry”) we didn't say anything about my mother-in-law's passing until the end of the evening, when we did “Ain't That Good News, “ and got the entire audience to sing along with us on "Oh Mary Don't You Weep Don't You Mourn.” For the encore, even though it was still technically winter according to both the weather and the calendar, we sang the “May Day Carol” in honor of my mother-in-law’s gift for gardening.

Tom and I met in December 2003. I had recently been divorced and had spent the past couple of years dating lovely man that I just couldn't go the distance with. I realized that fall that I was never going to connect with anyone who didn't have some kind of a spiritual background. I didn't care if he was Muslim, Buddhist, Hindu, Jewish, or even a Jungian agnostic, as long as he was a seeker.

In his post on match.com, (yes, we really did meet on match.com) he wrote, "Here is something that's new for me: I've recently gone back to the Catholic Church. If this is a turn-off, read no further." Catholic? I could go with that. Even though I was raised Presbyterian and was becoming more and more convinced that my spiritual path was as Buddhist as it was Christian, I had great respect and love for the Catholicism modeled for me by my aunt Jenifer's husband Brian. It was Brian who gave to me for Christmas the year I was 16 a book by the Catholic priest Henri Nouwen. The book was a kind of meditation on prayer, as much about the black-and-white photographs of Amsterdam and her people as it was about God, and I was moved by this book so deeply that I vowed to follow Father Nouwen to the place where he was purported to be according to the information on the book jacket: Yale University.

Anyway, I winked at Tom, he asked me out for coffee, and the rest is history. For the first few months of our courtship, we attended St. Mary's Catholic Church in Northampton, a church he had found through another strange connection. Interested in his mother's devotion to this new group called Voices of the Faithful Tom, at the time a journalist for People Magazine, tagged along with her to some of their meetings, and in the process became hooked himself. He did a radio piece on Voices for WFCR and received a phone call shortly after from a woman named Ann Turner. Ann had hunted him down, and when she got him on the phone, said, "You must come to church with me and my family."

For a few months, I thought it might be in my future to convert to Catholicism. But it was 2004, and Massachusetts had just legalized gay marriage. Our priest began to make noises about this, and that was that. Tom and I discovered our sweet little Congregational-cum-Taoist church in West Cummington, where the minister wore a gigantic button that read, "Marriage is for Everyone."

But I still maintain great love and respect for Catholics, for Thomas Merton, the Berrigan Brothers and all my dear friends who believe, if not for the institutionalized church itself. And I knew that my mother-in-law sang in the choir at St. John's in Wellesley, continued to support Voices of the Faithful through all sorts of activities, including everything from marching with them to organizing paperwork. When I asked her about her spiritual life during those last weeks, she said, "Oh, I speak with Sister Evelyn all the time. She's wonderful. God is so good to me, Nerissa." So when Tom found out that the priest—Fr. TomPotter-- who had been so instrumental in supporting Voices of the Faithful would only be available to conduct the funeral on Wednesday, March 17 -- better known as St. Patrick's Day -- and his sisters protested, in part because they would have to reschedule a caterer (no small feat in the Boston area on St. Patrick's Day), he went to bat for Sr. Evelyn and Fr. Tom.
I happen to mention this on the phone to my aunt Jenifer and my uncle Brian, as part of my conversation with them to let them know about Mary's death.

"Sr. Evelyn Lowen?" said Brian.

"I don't know her last name," I said.

"Sr. Evelyn Lowen and Fr. Potter for my spiritual advisors at Harvard!" said Brian. "They were there when Voices of the Faithful began, and they've been nurturing it along ever since. I'm sure it's the same people."

Hearing this, I had chills. I brought the telephone downstairs and confirmed with Tom that indeed Sr. Evelyn's last name was Lowen. And I remembered back to being a teenager, sitting around Brian and Jenifer's kitchen table, talking about liberation theology, Fr. Nouwen, Thomas Merton and my newfound faith. There are angels hovering ‘round, indeed.

Throughout this period of time-- the bullet train that is pancreatic cancer, the shock of losing a parent, the confusion about how to talk to my children about the loss of a grandmother--I have been buoyed by that faith that I discovered amid the black-and-white photos of modern day Dutch in prayer 25-odd years ago. I thank God -- the God of my understanding -- every day for connecting me to my husband, not just through the passions of our hearts and bodies, but by our shared desire to understand all these things, seen and unseen.

Mary died in the middle of a nor'easter. The wind howled as loudly as we did at the foot of her bed. On the day she was buried, the sun shone on the garden in her backyard, the garden she had spent over 40 years cultivating, the garden that is perhaps more purely her, more alive, than anything else she left behind. One of her daughters made sure that she was buried with her Bluetooth. When Lila asked me why people had to die, I pointed to the trees and bushes and flowers in her grandmother's garden. "See those trees? And see the way the land rises over there? This whole garden, and all the trees around here are alive because people and plants and animals died and their bodies went into the ground to feed and support new trees and plants and people and animals. That's how it all works. We take turns."

Also I told her that her grandmother was up in heaven reunited with her grandpa. Because that's what Mary would've wanted me to say. That's what Mary believed: in fact, a week or so before she died, she told my parents that she thought we'd all meet again in heaven. "And if I'm wrong... I'm going to be really angry."

It's what I want to believe, too. I miss you, Mary. We are going to meet again in the kingdom. That's good news.

Monday, March 01, 2010

FAWM #8 Ten Year Tin

Possibly one of the most self-indulgent videos ever made, but here it is. Since recording this demo, we've decided to raise the key and we've messed with the arrangement quite a bit. Once again, the inspiration as well as the title, first line of the chorus and last line of the chorus are Katryna's. She and Dave celebrated their tenth last September.

Saturday, February 27, 2010

FAWM #7: Save A Tree

I have written all 14 songs, but now I have to record them and somehow present them here. Some are more challenging to do this with than others. Here is a co-write with my three and a half year old daughter.

Tuesday, February 23, 2010

FAWM #6: Hammurabi

FAWM #5 Henry the VIII of England

Henry the eighth was a Renaissance man
He brandished a chicken leg in his hand
He had 6 wives-why? “Because I can!”
Said Henry the 8th of England

You might think that’s enough to know
(Having six wives is unusual)
But I’m here to say “Not so!
There’s more to learn at Nields School.”

Henry fell in love with Ann Bolyn
Because her beauty was unsurpassed
So he tried to fire his first wife Catherine
The Catholic church said Not so fast

Said Henry to the Pope, Dear vecegerent
I have no use for your command
I declare myself (without your consent)
Defender of the Faith of the new Church of England
Or Inventor of the Church of England

You might think that’s enough to know
(Inventing a religion is unusual)
But I’m here to say “Not so!
There’s more to learn at Nields School.”

So Catherine he divorced though before he did
She gave birth to Mary, his first little kid
And Ann was mother to Elizabeth
Which should have been enough to prevent her death

But Henry really wanted a son
To make his surname last forevermore
He said to Ann Bolyn, You’re done!
And married poor jane Seymour

You might think that’s enough to know
(Beheading your wife is unusual)
But I’m here to say “Not so!
There’s more to learn at Nields School.”

Jane gave birth to weak little Edward
But then she died.
This got to Henry and his heart so hard
So he cried.

Then he married Anne from Germany
HE referred to her as the Flanders Mare
He married young Kathryn who was just nineteen
But for his old self she did not care.

She was beheaded like Ann Bolyn
Henry picked another Katherine
This time his wife outlived him
And married his brother-in-law.
Nerissa Nields Feb. 9, 2010



FAWM #4: I Just Want to Spend the Day with You

Wrote this on the plane coming home from Florida after we spent a lovely couple of days there with my parents. This song is supposed to be from the POV of grandparents. I recorded the video in the dressing room of the Me& Thee Coffeehouse in Marblehead MA. Guitar is c/o Seth Glier. I'd done the thing I've joked I'd do since giving birth to my first child: I remembered the breast pump and forgot the guitar.
Each verse is supposed to begin with "Bow Bow Bow" which is Jay's favorite part of the song, but I forgot to do that in the video.


Bow bow bow We go to the beach
Where the tide is red
Sandwiches to eat
We eat sand instead
I don’t care at all
Red tide can’t make me blue
I just want to spend the day with you

We go to the zoo
On a rainy day
See a kinkajoo
The tiger is hiding away
I don’t care at all
If the monkeys are hiding too
I just want to spend the day with you.

It’s not like everyday we get together
Talking on the phone or getting a letter
Is really great, but holding you is better
So who cares about a little thing like the weather?

We go to the park
Ride the Merry go round
Storm clouds make it dark
Too soon we’re homeward bound
I don’t care at all
No matter what we do
I just want to spend the day with you.


We go to the museum
To see the lilies by Monet
But no one’s there to see ‘em
We came on a quiet Monday
I don’t care at all
It the TV is all we view
I just want to spend the day with you.

Nerissa Nields
Feb. 17, 2010


Saturday, February 20, 2010

FAWM #3: Monday Moonday



Monday Moonday let's hope it's a sunny day
Everything begins on Monday

Tuesday Mars Day, red hot in the stars day
Maybe I will play with Lars today

Wednesday is the day we talk no matter what the weather
Thursday is HooteNanny when we sing together

Friday, a busy day, move so fast I'm dizzy day
Saturday the biggies go out for date night

And Sunday is when
We see all our friends
Stand on our heads
And put our plans to bed
And start all over again.

Tuesday, February 09, 2010

FAWM #2: Crazy Rider

This is "Ride a Cock Horse" meets the B-52s. The trick is to hold the child's feet as you bounce him/her so as to approximate a bucking bronco-type ride.

Saturday, February 06, 2010

Feb Album Writing Month First Song

I wrote this on Feb. 1 as the kids and I walked home from pre-school. Elle's contribution was to have one of the fingers represent the element of Milk. I'd just learned that morning in my yoga training that each of the five elements corresponds to one of the fingers. Also, the first four chakras correspond to the fingers and the last three to the thumb.

Full Catastrophe Rehearsal



This is from our January 12 session with Zak Trojano. We are showing him how "Full Catastrophe" goes.

Friday, January 29, 2010

Recording Day 6 & 7


Two weeks ago, we recorded three tracks ("Full Catastrophe," "Last Train Home," "Back at the Fruit Tree") with a new drummer, Zak Trojano. He plays with Peter Mulvey, among others, which is how we met him.



Check out how he plays an old suitcase as a kick drum!

Today, I played Dave and Katryna a new song I just wrote called "FInd What We Were Missing." Also, Amelia, aged 8, played her father's new Hofner bass and showed us that she can give Paul Kochanski a run for his money on the bass part to "Goin' To Boston." I slammed down some guitar and vocals for "Back at the Fruit Tree," and it was so much fun that I begged Dave to put the Hofner on right away so that we'd have one track pretty much finished. We need Katryna's vocal now, but the "illustrated" version is done. We're also going to have Keith from Stephen Kellogg's band do some piano on this. Yum yum yum. I love layering background vocals almost more than anything in life. It's like painting.

Also worked on today: my vocals for "Full Catastrophe" which Katryna will ultimately sing most of the lead on. Also, my final lead vocal on "Which Side Are You On" and demos for "Find What We Were Missing." Then Dave had a cool idea: me playing my very primitive piano on "Fear The Gap," a la "After the Gold Rush." It ended up being my favorite thing we worked on today.

I still want to write another song for this CD, even though we now have 13. Maybe because we have 13. Who wants a 13 song album? Katryna started a song called "Ten Year Tin" and I have some ideas for that. This week I will write it. After all, it's February Album Writing Month, and though my priority has to be our book, I can't resist a challenge and a deadline.

Tomorrow: two radio interviews and our show at Stone Soup in Providence. Meanwhile, Elle has pink-eye and Jay has a mysterious rash. He sings the ABC song all the time now, and also "Go Go Go Go for G." Elle sounded out the letters to "S-T-A-R-B-U-C-K-S." We may rot in hell for this.

Monday, January 18, 2010

About Our Church


At 5:30am Sunday someone driving up Route 9 saw our church on fire and called the fire department. By the time the firefighters got there, the church was beyond saving. Our minister Stephen Philbrick who came over soon after the call came in described the sight as not unlike one of our local tobacco barns during the harvesting period, when the slats open up to dry the tobacco. Only this time the fire presaged the smoking: orange flames flew heavenward, taking with them everything that the 170-year-old building contained, including our prized grand piano which we'd fundraised for, parishioners buying individual keys of the 88 needed; Our healing quilt that Annie Kner made for the auction of 2008, a quilt deemed too beautiful for any one person to own. We decided to purchase it for the church to act as our stained glass window, our cross, our credo. When a member of the congregation needed healing, we sent the quilt out to wrap that person in. Arnold Westwood, our beloved 88-year-old friend, died wrapped in the quilt.

Katryna said it was fitting that our church had a quilt instead of a cross, as ours is an extraordinarily ecumenical place, where the scripture is as likely to be taken from the Tao or the Baseball Book of Wisdom as it is from the Bible. We are a congregation of anti-church people: recovering Catholics, Unitarian Jews, Buddhists, Pagans, and yes, a few Congregationalists (our official denomination). Steve Philbrick did not go to any institutional seminary, but rather learned in the pulpit and from mentors. Before becoming our minister, he was a shepherd and a poet. (He remains both.)

Tom and I met in December 2003. What drew us to each other immediately was our shared curiosity about God and spirituality: what made people tick, what it meant to live fully and consciously. In February 2004 he held a brunch at his condo in Haydenville, inviting his "spiritual" friends for a conversation about our various faith paths. I loved meeting his friends, and our discussion was lively and full of friendliness and curiosity. I was sitting next to a woman named Fran Henry, and when I asked her where she went to church, she told me, "Oh, this little place in West Cummington where the minister is a poet and a shepherd."

I said, "We should take a field trip there."

A month later, we did. We entered the little one room building with the tin roof and no bathroom and found a seat in the second pew from the front. A woman whom I later learned was Penny Schultz, co-founder of Earthdance and the Hilltown Charter School, began playing an upright piano and singing along, very softly and gently, in the sweetest most familiar soprano. It seemed as though she was making up her melody in the moment; it sounded like prayer.

Then Steve began to preach. He talked about the questions more than the solutions, and he had such compassion for questioners. His Jesus was the one I recognized from my own sojourns: the advocate for the poor, for justice, but also the koan-creator, the fully human, hot-blooded realist, the one who told Martha that Mary had the better part. The one who recommended we all consider the lilies of the field and stop our ceaseless useless worrying.

On our way up to church a few months later, on a warm May morning, Tom said, "I hope someday we get married in this church." A year later we did.



Eighteen months after that, we baptized our daughter, and a couple of years after that, we baptized our son.

We laughed our heads off as auctioneers at the yearly auction. I played new songs as preludes and offertories and learned about the magic of Village Harmony, and got to witness the full potential of what kinds of choral miracles are possible through watching Penny Schultz's Hilltown Choruses each year at the Christmas service. Katryna and I performed there every year on the second Saturday in July. It was my favorite gig. My parents came up and worshiped with us, my father leading the congregation in "Lord of the Dance." Tom and I both preached sermons there, and week after week had our hearts broken open by the honesty of Steve's preaching and the sincerity of the congregation in responding to him.

It's our home. Our bodies are in Northampton, but our hearts are in West Cummington.

When I heard the news, I dropped the phone and keened as if someone had died. Tom picked it up and followed through on our phone tree duties while I sat on the couch and sobbed. Then I called my parents. They said, "You are going to be amazed at how both the congregation and the community respond." My father added, "Maybe when they build the new church, it will have a bathroom."

A few minutes later, Steve's wife Connie called. "Steve said, 'We're really going to need music this afternoon.' Can you come with your guitar?"

I had been scheduled to teach a workshop at Smith College that afternoon. I called the professor who had booked me and explained the situation, asking if I could start 40 minutes early so I could make it up for the 3pm service. Ironically, the exercise I had planned to give the Smith students, all seniors working on a narrative, was to look at how the thing in their life they most cherish now almost certainly is in their life today because of some supposedly bad thing that had happened to them in the past. Though this exercise comes from Martha Beck, it's always been my basic teaching. "Your job is to figure out how this is this the best thing that ever happened to you," a wise friend once told me, long ago when I was experiencing a devastating loss. (It was––the best thing, that is.)

As Tom and I made the trek up, him for the second time that day, he said, "You'd better brace yourself." My eyes had been dry for most of the day, after my initial deluge. I had snapped into coping mode and poured my grief into cleaning the house, going for a run and hugging my kids, trying to explain to them what had happened. "I can be a good helping builder of the new church," said Elle. "But tell them to make it pink next time. That's prettier than white."

As we drove past the little Church Road, we could see the remains. The very front of the church was still standing, blackened and broken. It reminded me of the ice storms last year that demolished so many branches of the trees up in these hills. The canopy is gone. So much of what we take for granted as eternal really isn't. In the Dhammapada, the Buddha says, "Anyone who understands impermanence ceases to be contentious." I wouldn't say I'm there yet (I can be plenty contentious), but these lessons in impermanence help. And anyway, how do I know something better isn't around the corner?

I got out of the car at the same time that Penny got out of hers. Steve came striding towards both of us, his arms open to embrace us. "The music is here!" he said. We hugged, and he looked me in the eye. "This is horrid. And we will rebuild." Then. as we entered the Parish house, the building down the road from our church where we hold meetings, fellowship time and "kids church" he said to Hal, who was in charge of the collection box, "We're doing that second basket for Haiti. Because we have to keep things in perspective here, people. We've lost practically nothing. They've lost everything."

And looking around the room, it was obvious that this was true. Here was my church. Everyone was in the room; it was packed to the rafters with old friends, newcomers, supporters, members of other churches. The Village Church down the road had brought up hymnals. Penny and I led songs. Steve led us in prayer, and we all stood up individually to share stories. I offered our Annie Kner quilt as a temporary replacement for the healing quilt that had burned, but John Eisenhaur did me one better by actually bringing his. "It has tulips on it," he said, unfolding it at the front of the room. "Which seems appropriate." And I thought of the five acts of Shiva, the last two being Concealment and Revelation. Though all acts were present in that moment: Creation, Sustaining, Dissolution all danced together in that space. We sang, hugged, cried, laughed, held hands in a circle and vowed to rebuild. As Tom and I left to return to our kids, I felt as whole as I've ever felt. I'd been healed.

What had we lost? Not a soul had died. No one had even been injured. We weren't even homeless; the Parish house was plenty big to contain us. And it has a bathroom.

Well, this. Fran Henry, the woman who introduced us to the church, rose and quoted Mary Oliver's poem "The Oak Tree at the Entrance to Blackwater Pond" in which she compares the dead tree to a lost friend:

Every day
on my way to the pond
I pass the lightening-felled,
chesty,
hundred-fingered, black oat
which, summers ago,
swam forward when the storm

laid one lean yellow want against it, smoking it open
to its rosy heart.
It dropped down
in a veil of rain,
in a cloud of sap and fire,
and became what it has been ever since––
a black boat
floating
in the tossing leaves of summer,

like the coffin of Osiris
descending
upon the cloudy Nile.
But, listen, I'm tired of that brazen promise:
death and resurrection.
I'm tired of hearing how the nitrogens will return
to the earth again,
through the hinterland of patience––
how the mushrooms and the yeasts
will arrive in the wind––
how they'll anchor the pearls of their bodies and begin
to gnaw through the darkness,
like wolves at bones––

what I loved, I mean, was that tree––
tree of the moment––tree of my own sad, mortal heart––
and I don't want to sing anymore of the way

Osiris came home at last, on a clean
and powerful ship, over
the dangerous sea, as a tall
and beautiful stranger.

I know we will rebuild, Fran was saying. But we all need a moment––or many––to grieve what we've lost. We will never again sit on the funky, weird throne-like chairs that stood in the corner where Tom and I sat while Steve preached his wedding sermon for us. I will (probably) never again dip out the back door to pee in the bushes. I will never look out that window at the falling snow. I will never sit in that pew. I won't lean with my kids against that step while Tom does Children's Time. I will not be in the space in the same way again. The atoms will reorganize differently. The light will shine in the new building in a new way. The building will not have the same 170-year-old smell. We won't be, as Steve mentioned, holding the old old hymnals or the new old hymnals, or the binders full of new new songs Penny put together last year.

And we will never see the quilt again.



But as 12-year-old Jacob stood up said, "Energy can't be burned up in a fire." The love we have, the faith, the memories, the emotions, the good will, the bits of poetry and theology and philosophy, the hugs, the songs, the communion––those remain.

And how we love to be generous when there is a tragedy! How we love to be of service! I believe the human heart yearns for these opportunities to be useful. So Jacob is right; energy cannot be destroyed, it can only shift around, and the energy in that church came right back to all of us in a fervor to rebuild. The energy of the earthquake in Haiti comes back in a longing in our hearts to help, to give, to go down there, to be of service.

The worst part of the story––by far the worst––is the encroaching thought: "Someone did this." The worst is the virus of fear and blame that creeps in. That there might be a copycat arsonist who got bitten by the bug in Northampton, and acted recklessly, fecklessly, maliciously. Every time this thought comes up, I gently say to it, "I don't need to believe that now. Until proven otherwise, I am going to believe that this was an accident."

In fact, I don't think it was an accident. I think Arnold did it. Arnold was a lifelong Unitarian minister, known for "growing" churches. He had huge hopes and dreams for our West Cummington church, and I think he was constantly frustrated by our reluctance to push it up a notch. I don't know this for sure, but this is what I do know: as I've mentioned about five times here, our church didn't have a bathroom. In order to grow, we kind of need a bathroom, more facilities for kids and families, a bigger parking lot, more space period. But no one wanted to touch that little antique church nestled so perfectly and eternally in the hills. It was, in a way, a sacred cow. We're not an ambitious congregation. We want to raise money for the Goshen Food Pantry. We want to listen to our wise preacher read his poetry, follow the tendrils of his faith journey, meet in small groups to talk about why the book of Genesis has caused our current environmental crisis, nurture our men so they don't become bullies, meet for soup potlucks and Vipassana meditation.

And maybe we're meant to do more. I have no idea what that looks like, but when a building goes up in flames the way ours did, it certainly raises the question, to paraphrase Rumi (who is oft quoted in West Cummington) as to whether we've been "cleared out for some new delight."

So if this is Arnold's way of shaking us up, pushing us to serve in a bigger way, I will do my best to grieve our loss, raise money for the new building, advocate for pink clapboards (maybe just one, hidden in the back), do a concert at the Village Church in lieu of our scheduled West Cummington show, love my congregation, support my pastor and try as hard as I can not to be contentious with What Is by embracing impermanence.

And remember.

Thank you, little jewel of a church. Requiescat in pace.

Thursday, January 14, 2010

Jon Stewart Honors Bruce Springsteen



Thanks to my sister Abigail and my friend Kris McCue for this. What an inspiration!

Tuesday, January 05, 2010

"Vowels are Important Letters"


"I think Jay is crying."

"Really? I don't hear him." I pause. I press the tiny button on the side of my Timex. 4:28am. Tom and I are both on our bellies, our heads lifted in a pose I I believe to be called shalabasana, but I am hardly in the mood to practice yoga right now. I've been exhausted recently, and I was so hoping for a good 8 hours.

We wait. We listen. Nothing. Except a bump downstairs. Probably George Harrison. Or the arsonist.

"He's not crying."

"OK."

We both get up to pee. The room is freezing. We hunker back in under about four or five quilts. Maybe Jay is cold. Maybe he shook off his blankets. Now I don't hear him. Maybe he froze! But the space heater will turn on if it gets too cold. Maybe the space heater will start a fire! Maybe the arsonist will start a fire! I wish we had a fire ladder propped up against our house. But then maybe a thief would climb it and get in!

These are the thoughts of an anxious mind, AKA "2-5 am Mind." Go back to sleep. I try all my tricks: I imagine the space between my eyes and pretend I'm a peaceful docile herbivore instead of a searching prowling carnivore. I imagine gravity pulling my body down to the earth. I relax my tongue.

I have a headache. I ignore it and try to space out. I imagine I hear Jay crying. I begin to wish he would cry just so I could get up and cuddle him. And not have to work so hard trying to fall back to sleep.

Tom lifts his head. "Did you hear that?"

I get out of bed. I go to the door. The crying is unmistakable. I tiptoe down the hall passing Elle's room. Jay's room is ice cold. He is whimpering on top of his blankets, my poor little babe! I scoop him up, furious at Tom who always sets the thermostat too low. I turn on the space heater to heat up the room, hoping to eventually put Jay back and reclaim an hour or so more of sleep. I come back to our room.

"It was freezing in his room," I hiss, as Jay settles in by my side to nurse. My back is to Tom. "He is ice cold!"

"Huh?" says Tom, still dozy. "Who put him down?"

"YOU did!" I whisper.

"I did?"

"Yes!"

I think back to the night before. I had a writing group. I never put the kids down when I have a writing group.

Except last night I put Jay down.

"Oh," I say. "You're right. I did. I'm sorry."

Tom chuckles. Fortunately, I am married to a man who would chuckle at my bad behavior. Fortunately I learned the hard way that it's really better to apologize right away and not try to weasel out of it, or worse take the opportunity when one is enraged and in a blaming mood to blame the innocent for some other long-ago crime.

I nurse Jay for a half-hour and then he pokes his head up, wanting to play. This is Tom's cue to bring him back to bed. Jay howls as he is taken from me, and I bury my face in the pillow, full of guilt and remorse. I wish he could stay. I wish he WOULD stay the way he did when he was younger. Now he pretends to want to stay, but what he really wants is to pull Tom's hair and say, "DA da!" and giggle maniacally.

I hear howls all the way down the hall. Then I hear a truly horrible sound. Two sets of howls happening at the same time. Then just one howl. A different howl.

Tom comes back with Elle. "I have a new customer for you," he says, handing me my three-year-old.

"OK, Elle, you know the rules," I say. "No talking, and lie completely still." She snuggles up next to me and I put my arms around her, secretly delighted. But sleep does not return to any of us. Elle mouth-breathes in my face and whacks Tom in the head multiple times.

"Elle!" I hiss. Again with the hissing. "Lie still!"

"I'm just trying to get comfortable!" she says, wiggling around to bring her eyes right up to mine. She grins and her eyes turn into upside down crescents.

"You know, she got woken up, too," mumbles Tom. Which is true and fair enough.

"I'm sorry, sweetie," I say. "I shouldn't be so mad. I'm just tired. Mommies and daddies really like to sleep."

So we lay in bed and breathed together, her with her mouth-breathing morning breath, I with my attempts at pranayama, and eventually around 6am I got up and she popped up too. "I want a piggy back," she said and climbed aboard. I made tea for me and poured her a glass of milk and we settled down to watch They Might Be Giants Here Come the ABCs. We both sang along to "Vowels Are Important Letters" which we agreed was the prettiest song on the DVD. A friend who knows I am awake at this time called and commiserated about the profound surrender of one's time to parenthood. I told her I'd just heard the yoga philoposher Douglas Brooks say that the word "sacrifice" is a cognate of "sacred." By sacrificing, we make sacred. I was also reminded of Thich Nhat Hanh's great line about how we never appreciate our not having a toothache. Another friend recently said, "I need new tires! And I have money for new tires! What a great happy problem to have!"

Yes. These are sweet problems to have. My friend said, "Every morning I wake up and our house hasn't burned to the ground I am happy." Thank you, Arsonist, for that.

The arsonist, by the way, may be caught. I feel so sorry for him, by the way. I know he did a terrible thing (if in fact this person is the arsonist, which we do not at all know yet.) What an awful thing to know that you killed someone.

In my yoga teacher training, I am reading the yoga sutras. There are four parts, and I just finished part one. The text speaks of the purpose of yoga as the stilling of the mind the way the lake can be stilled to reflect back the sky. We still our minds, our consciousness, in order to reflect back pure awareness. But, says my teacher who follows a Tantric path which differs from the classical teachings of yoga in some significant ways, it's much more important to learn to be with what is than it is to actually still the mind--which is of course next to impossible.

So as I sat on the couch with my droopy daughter and my droopy self, a line from Jack Kornfield came to me, and I paraphrase: how can I meet this situation with friendliness? How can I be like my father and my great Uncle George and my Aunt Elizabeth who always seem to smile, genuinely, no matter how annoying the situation seems to be for others?

Sometimes it's as easy as smiling. Sometimes not. This morning, that's all it took.

Thus began my day, and now that it's almost over, I can honestly say that i was no worse for the lack of my two lost hours of sleep. Plus, I got to start my day with cuddles from both my kids and music from They Might Be Giants. And I don't have a toothache and my house did not burn down. I want for nothing.